| In a free 
                  for all art of today, William Rusedski manages to carve a personal, 
                  original way to interrogate, without filtering devices, matter 
                  as well as subjects through movement and a strong sense of energy. 
                  He has a great facility and a natural talent in handling various 
                  medium of expression and elaborating a great number of art works.
 
    It is clear that man is becoming more and more 
                    insensitive to static images, that are often without vitality. 
                    The contemporary man grew out of the necessity of action within 
                    a constant dynamism. The aesthetic in motion overruns the 
                    fixed aesthetic of static forms. The today materialistic conscience 
                    requires artistic images coming directly from the individual, 
                    from the subconscious, as reason itself does not create. An 
                    art emerging from the subconscious, equilibrated by reason 
                    instead, constitutes an authentic expression of the being 
                    and a synthesis of an historical moment . 
                      It is clear that man is becoming more and more 
                    insensitive to static images, that are often without vitality. 
                    The contemporary man grew out of the necessity of action within 
                    a constant dynamism. The aesthetic in motion overruns the 
                    fixed aesthetic of static forms. The today materialistic conscience 
                    requires artistic images coming directly from the individual, 
                    from the subconscious, as reason itself does not create. An 
                    art emerging from the subconscious, equilibrated by reason 
                    instead, constitutes an authentic expression of the being 
                    and a synthesis of an historical moment . 
                     GIANGUIDO FUCITO, ART CRITIC
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